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If there is one thing you can always count on, it is that Hollywood has yet another remake, spinoff, or sequel in the works to tap into some hidden reserve of nostalgia. Between the endlessly sprawling MCU and DC Studios' newest reboot of their own shared universe, studios know that giving people more of what they like is a sound investment – except a new survey shows that maybe there is too much of a good thing, and all these sequels are putting people off Hollywood movies and turning them onto anime instead.

This bit of information comes from a survey conducted by marketing company Dentsu, which talked to people in 10 countries about whether they watched anime and why. The data is packed with interesting facts about the growth of anime outside of Japan, but one statistic that might be worth noting for Hollywood is that 11% of those surveyed who watch anime did so because they were “tired of sequels and remakes in Hollywood (like Star Wars, Marvel, DC) and want something new, a number that grows to 29% in the US.

This gap between what Hollywood is producing (more franchises and more sequels) and what people want isn’t the sole driving factor in anime’s explosive growth over the past several years, but it could be a contributing factor in why people are seeking out anime in the first place. It could also be why Demon Slayer: Infinity Castle has struck such a nerve and become such a touchstone moment for the anime industry in the West.

Each week, Popverse's resident anime expert Trent Cannon runs down the latest and, dare we say "greatest," in anime and manga in Popverse Jump. Some recent columns have included... 

• Aggretsuko vs Chainsaw Man: Two Wildly different anine with the same anti-capitalist message
• The Summer Anime season return of Kaiju No. 8, Sakamoto Days, & Dan Da Dan are forcing me to break my vow of watching less anime
• From Tomo-Chan to Oshi No Ko: How some of your favorite manga creators got their start in hentai
• Piracy is baked into anime's past, but, like Crunchyroll, we should move on from it
• Flying whales, mechs, and Miyazaki vibes: Inside Netflix's Leviathan anime with the people who made it
• How AI translations of manga continues the 'enshitification' of the medium, and why Japanese publishers are "less precious" about it
• I never wanted a Cyberpunk Edgerunners sequel, but God help me I'm going to watch it
• The Summer Hikaru Died delivers its cosmic horror at an agonizingly slow pace
• The one thing that Dan Da Dan does better than Demon Slayer ever did
• Studio Ghibli movies have never been as cozy as you think they are and that's what makes them magic