If you click on a link and make a purchase we may receive a small commission. Read our editorial policy.
Attack on Titan creator doubts he'll ever match the manga's success again - and he's okay with that
Hajime Isayama, the creator of the Attack on Titan manga, says he doesn't expect to work on anything on that scale again.

Popverse's top stories
- The Expanse TV series was such a positive work experience that crew members left other shows to return, says Thomas Jane
- Marvel's Ultimate line is ending (again), and the writer closing the door has just one regret
- Bridgerton Seasons 1–3 recap: Everything to know before Season 4’s release
Every creator has to confront a variety of fears. The fear of failure is very real, but so is the fear of not being able to follow up on a success. For Attack on Titan creator Hajime Isayama, he’s reached a level of zen when he contemplates his next manga project. In fact, he is pretty content with the idea that he doesn’t make anything as successful as Attack on Titan again.
During a panel to celebrate the rescreening of Attack on Titan: The Last Attack, Hajime Isayama admitted he hadn’t been working on manga for several years now. “It’s been years since the manga serialization and anime broadcast [of Attack on Titan] ended, but I’m not working now. Occasionally, I draw illustrations and sign autographs, and I’ve also helped out with Yuki Kaji’s Soyogi project, but I no longer draw on a daily basis.”
Instead, Isayama is focusing on narrative projects, like the above-mentioned Soyogi, and he’s kept himself busy. However, he doesn’t want to try to undertake something as massive as Attack on Titan again. “If I tried to write something, it would just feel like a cutout of something I already depicted in Attack on Titan. I think that first serialization was one where I just poured out all of myself until I was completely drained.”
The Attack on Titan manga ended in April 2021, which has given Isayama plenty of time to reflect on the impact it had on his life and what he wants to do next. We’re sure he’ll be back to drawing manga eventually, but it seems it will be on his terms this time.
Each week, Popverse's resident anime expert Trent Cannon runs down the latest and, dare we say "greatest," in anime and manga in Popverse Jump. Some recent columns have included...
- Aggretsuko vs Chainsaw Man: Two Wildly different anine with the same anti-capitalist message
- The Summer Anime season return of Kaiju No. 8, Sakamoto Days, & Dan Da Dan are forcing me to break my vow of watching less anime
- From Tomo-Chan to Oshi No Ko: How some of your favorite manga creators got their start in hentai
- Piracy is baked into anime's past, but, like Crunchyroll, we should move on from it
- Flying whales, mechs, and Miyazaki vibes: Inside Netflix's Leviathan anime with the people who made it
- How AI translations of manga continues the 'enshitification' of the medium, and why Japanese publishers are "less precious" about it
- I never wanted a Cyberpunk Edgerunners sequel, but God help me I'm going to watch it
- The Summer Hikaru Died delivers its cosmic horror at an agonizingly slow pace
- The one thing that Dan Da Dan does better than Demon Slayer ever did
- Studio Ghibli movies have never been as cozy as you think they are and that's what makes them magic
Follow Popverse for upcoming event coverage and news
Find out how we conduct our review by reading our review policy
Let Popverse be your tour guide through the wilderness of pop culture
Sign in and let us help you find your new favorite thing.















Comments
Want to join the discussion? Please activate your account first.
Visit Reedpop ID if you need to resend the confirmation email.