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How Marvel quietly retconned Captain America to be on ice during 9/11, and why as a NYC-publisher it had to think long & hard about it

On the one hand, Zdarsky's choice to move Steve Rogers's de-icing to after 2001 in his Captain America run was a big deal for Marvel Comics. But on the other, it only makes sense with their sliding timeline

In case you haven't already heard, Chip Zdarsky is radically changing the history of Marvel Comics' most historical character. His Captain America run has not only introduced a successor to the titular role by the name of David Colton, he's actually shifted Steve Roger's unthawing to a much more recent, post-9/11 America, pushing that character moment back anywhere from twenty to forty years, depending on when you considered the 'canon' unthawing to have taken place. No matter how you see it, that was a pretty big move, and the Daredevil writer recently opened up about how he went about pitching it to the House of Ideas.

Zdasrky was a recent guest on the comics-focused Dom of X YouTube channel, during which he was asked: how hard was it to get Marvel to agree to a post-9/11 de-icing of the Sentinel of Liberty?

"It was both it was both hard and easy at the same time," Zdarsky explained, "I knew the story hinged on it, obviously David Colton's character had to be capturing that time. Steve had to come out of the ice after 9/11. That's what I pitched and that's what I put in my script. My editor, Alana [Smith] was like, 'I don't know if we can do this.' She was like, 'For for a bunch of reasons, primarily the fact that Marvel is a New York publishing company.' They were personally affected by the events of 9/11 in a way that the rest of us maybe weren't. It means something to them in the history of the characters. [There was] that Amazing Spider-Man #36 issue about 9/11; Cap was there, all the heroes were there."

But as Zdarsky pointed out, there was one less tangible part of Cap's story that made room for his idea: Marvel Comic's sliding timeline. The shifting scale of historical events within the Marvel Comics Universe was "basically like a 10-year thing," said the Sex Criminals co-creator, and having Cap back in the "modern" world pre-9/11 didn't line up with Marvel storytelling in 2025.

"It's been well over 20 years," Zdarsky continued, "So I pushed it a bit and I said, 'What are you going to do in five years? What are you going to do in 10 years? What are you going to do in 30 years? It's not going to make any sense at that point; it makes almost no sense now. So the conversation just went up the chain."

Finally, said Zdarsky, his pitch made it all the way up to Marvel Comics president Dan Buckley.

"He just went, 'Oh yeah, that makes sense. That sounds like a good story,'" the author recounted, "That's the big thing, right? If you have that kind of back and forth with Marvel, in the end, for the most part, they'll side on the side of, 'Is this a good story?' If it's a good story, then they'll move heaven and earth to make it happen, right?"

Plus, as Zdarsky concluded, he did have one other major element on his side: corporate syngery.

"I don't think it hurt the fact that, in the MCU, Steve Rogers comes out of the ice after 9/11," he said. "I think that also kind of helped me make my case."

Chip Zdarsky and Valerio Schiti's Captain America #12 comes to comic shops everywhere June 24.


 

Grant DeArmitt

Grant DeArmitt: Grant DeArmitt (he/him) likes horror, comics, and the unholy union of the two. In the past, and despite their better judgment, he has written for Nightmare on Film Street and Newsarama. He lives in Brooklyn with his partner, Kingsley, and corgi, Legs.

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