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Superheroes are rooted in a distinctly American power fantasy that's now gone global, according to Jim Lee

Jim Lee is a legend in western superhero comics, but as a lifelong manga fan he's got his own opinion of the difference

Superman and a Sentinel
Image credit: Jim Lee (DC Comics/Marvel Comics)

DC president, publisher, and chief creative officer Jim Lee is a lifelong fan of both superhero comics and manga, all the way back to when manga was far more rare in the United States. With that pedigree, he's got his own perspective on the difference between western comics and manga.

"I think the notion of superheroes, a single person that gets power that decides to go out and change the world, whether he's a hero or a villain, it has some real American roots," Lee explains on the Masterplan podcast. "It reminds me of the cowboy, someone who goes out into danger, the wilderness, and forges his or her own path. Justice is dispensed through power, so vigilantism, the one, loner figure of justice, feels very American to me. Certainly, Japanese culture is not reflective of that. I think Europeans, when you look at their comics, it was more science fiction or western."

Japan does have its own history with superheroes, with the Golden Bat often considered one of the first superheroes ever, predating even Superman, the first true American superhero. Meanwhile, Ultraman is often considered one of the most popular superheroes in the world, up there with Spider-Man, Superman, and Batman. That said, Japan's heroes, even modern manga and anime like One Punch Man and My Hero Academia, blend superhero visual styles with Japan's tradition of tokusatsu sci-fi heroes and youth-focused shonen adventure tales rather than following the usual structures of western superhero comics.

"So this very notion of dressing up in, like, pajamas, and flying, and saving people from danger, might have felt a little comedic, or childish I think, to people outside of America. I think in a weird way, the art forms were all there in all the continents, but they didn't connect," Lee continues. "They all kind of evolved independently of each other based on their local traditions, folklore, mythology, tastes of the creators, taste of the audiences. And now we have, through the power of the internet and more globalism, you have more cross-referencing, co-mingling. There's still sort of regional differences, and variations I think, but it was different back then for sure."

For what it's worth, My Hero Academia in particular lives up to its reputation and popularity, embracing the idea of superheroes in its own unique and eccentric way. The anime in particular is full of treasures for superhero fans, and I'll throw my support behind MHA season 2, which tells a brutal and tragic story of teen heroes in training going up against a horde of villains whose skills and powers far outstrip those of the protagonists.

Lee is, of course, one of the most successful and famous artists of western superhero comics ever, and as the president, publisher, and chief creative officer of DC, he currently oversees a whole line of comics encompassing numerous branches and side universes.


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George Marston

George Marston: George Marston is a media critic and journalist who has specialized in superheroes and comics for nearly two decades. Along with focusing on comics and superhero media at Newsarama, George has honed a critical voice exploring TV, movies, and video games with bylines at Total Film, SFX Magazine Online, Space.com, GamesRadar+, and more. During George's time at Newsarama, the site received the 2020 Tripwire award for Best Comics-related Website / Publication. (They/Them)

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