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A Nightmare on Elm Street 4 director thought Freddy Krueger was too famous to be scary

When The Deep Blue Sea and The Strangers: Chapter 1 director approached A Nightmare on Elm Street's 1988 installment, he felt he was making a film about "the James Bond of horror"

Stop me if you've heard this one before, horror fan. The key to any good monster movie is (say it with me now!) to not show the monster. That's the advice that has typically been ascribed to Jaws (even though that's wrong - Spielberg originally wanted to show the shark way more) and has worked wonders for horror films like The Babadook and An American Werewolf in London. So here's a question - what if you're making a movie about a monster who's not only already been seen, but has become a verifiable pop culture icon?

That was Renny Harlin's problem when he got brought on to make A Nightmare on Elm Street 4.

Horror/thriller director Harlin recently spoke to Variety about his time directing a piece featuring one of the most well-known horror baddies of the medium - A Nightmare on Elm Street's Freddy Krueger. By the time the 4th film had come around (1988, to be specific), Harlin believed that the claw-wielding (shudder), fedora-sporting (shudder) child murderer was simply too famous to make for a proper scare.

"I took a very different approach from the previous directors," harlin explained, "Freddy Krueger was so well established at that point that we couldn’t really pretend he was super scary. He’s the James Bond of horror, so that’s how I approached it."

So was Harlin's take on the Elm Street franchise narratively successful? Eh, I think that's kind of up to the viewer to decide, ultimately, and you can watch A Nightmare on Elm Street 4 for yourself to come up with that opinion. For Harlin himself, though, the answer was a whopping, 'yes.'

"When the reviews came out," Harlin explained, "They were some of the best of my career. The L.A. Times, I think, called it a 'Kafka-esque nightmare created by Renny Harlin.' The movie opened huge and the first call I got on Monday was from Steven Spielberg. I was living in a motel in Hollywood for $25 a night and he found me there. Bob Shaye invited me to see the film with him in public and he picked me up in a limo. We drove to the Pacific Theaters and there was a line around the block."

I guess if you do have to show your monster - or rather, your monster has already been shown - there's still a way to do it and come up with something that sells. 


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Grant DeArmitt

Grant DeArmitt: Grant DeArmitt (he/him) likes horror, comics, and the unholy union of the two. In the past, and despite their better judgment, he has written for Nightmare on Film Street and Newsarama. He lives in Brooklyn with his partner, Kingsley, and corgi, Legs.

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