Alien's Veronica Cartwright says Ridley Scott and Alfred Hitchcock use the same techniques of suspense
Cartwright has the distinct history of having worked with two of cinema's most famous directors
Popverse's top stories of the day
- Marvel Studios' original plans for Daredevil: Born Again were "heartbreaking" says Charlie Cox, but its all better now
- WATCH: Cosplay champion Sameer Tikka Masala finds success and support in the creative performance community
- All Star Trek movies, ranked worst to best!
Veronica Cartwright has the distinction of working with two of cinema's greatest masters of suspense: Alfred Hitchcock and Ridley Scott. At C2E2's 45 Years of Alien panel (moderated by Popverse's very own Ashley V. Robinson) panelists Tom Skerritt and Veronica Cartwright did a lot of talking about Alien, but in response to a fan question, Cartwright had a little to say about The Birds as well.
Veronica Cartwright was only thirteen years old when she worked with Alfred Hitchock in the classic horror film The Birds, but she remembers working with Hitchcock quite well. Cartwright shared a memory about filming the movie and noticing some fake prop birds amongst the live ones. When Cartwright asked whether or not people would notice the fake birds when watching the movie, Hitchcock replied, “Eye sees movement and just assumes that everything is alive." Now, Cartright agrees! "And it’s true. I can see the movie now and I can’t see where the damn bird is.”
As for the connection between Hitchcock and Ridley Scott, Cartwright believes that Scott has pulled a lot from Hitchcock's work. “I think that Ridley really admired Hitchcock, he used a lot of the things... Alfred Hitchcock’s thing was less is more, and one of the things that I think was great about Alien was that you’re not quite sure what it looks like. You as an audience sort of create what it is, and you don't see it until the very end.”
How to Watch the Alien movies in order